Reviews and Articles
  • Log in to Add Reviews, Videos, Etc
  • Places to Buy

    Searching for products...

    Item Images
    About This Item

    Unique ID Code: 0000146107
    Added by: Stuart McLean
    Added on: 18/11/2011 22:32
    View Changes

    Touch Of Evil: Limited Edition (Masters Of Cinema) (2 Discs)

    10 / 10
    1 vote cast
    Rate this item
    Inline Image

    Certificate: 12
    Running Time:
    Retail Price: £23.48
    Release Date:
    Content Type: Movie

    Touch of Evil begins with one of the most brilliant sequences in the history of cinema; and ends with one of the most brilliant final scenes ever committed to celluloid. In between unfurls a picture whose moral, sexual, racial, and aesthetic attitudes remain so radical as to cross borders established not only in 1958, but in the present age also. Yet, Touch of Evil has taken many forms. The film as released in 1958 was certainly compromised from Orson Welles' vision, but a brilliant and lengthy memo written by Welles to studio heads in 1957 - taking issue with a studio rough-cut - had some influence on a subsequent preview version shown to test audiences (and rediscovered in the mid-1970s) as well as the 1958 theatrical version. Forty years later, in 1998, Universal produced a reconstructed version of the film that takes into meticulous account the totality of Welles' memo, and ostensibly represents the version of the film that most closely adheres to his original wishes.

    Charlton Heston portrays Mike Vargas, the Mexican chief of narcotics who sets out to uncover the facts surrounding a car bomb that has killed a wealthy American businessman on the US side of the border. As Vargas investigates, his newly-wed wife Susie (Janet Leigh, two years before Hitchcock's Psycho) is kidnapped by a gang out to exact vengeance for the prosecution of the brother of their leader (Akim Tamiroff). Meanwhile, Vargas' enquiries become progressively more obfuscated by the American cop Hank Quinlan (played by Welles himself, in one of the most imposing and unforgettable screen performances of his career), a besotted incarnation of corruption who alternately conspires with Susie's captors and seeks solace in the brothel of the Gypsy madame (Marlene Dietrich) who comforted him in bygone times.

    Welles' final studio-system picture has at last become secure in its status as one of the greatest films ever made. It remains a testament to the genius of Welles -- a film of Shakespearean richness, inexhaustible.

    Special Features:
    Three versions of Welles' film: the 1998 reconstruction (in both 1.37:1 and 1.85:1 aspect ratios)
    the 1958 preview version rediscovered in the mid-1970s (in 1.85:1)
    and the 1958 theatrical version (in both 1.37:1 and 1.85:1).
    Original theatrical trailer for the film
    A host of other extras to be announced nearer the release date
    A lavish, illustrated, 56-page book containing the words of Orson Welles - and much more.

    Related Websites:

    Video Tracks:
    Fullscreen 1.37:1 / Widescreen 1.85:1

    Directed By:
    Orson Welles

    Written By:

    Orson Welles, Charlton Heston, Janet Leigh, Marlene Dietrich, Akim Tamiroff, Zsa Zsa Gabor, Joseph Calleia, Joanna Moore, Ray Collins, Dennis Weaver, Valentin de Vargas, Mort Mills, Victor Millan, Lalo Rios, Michael Sargent & Phil Harvey

    Soundtrack By:
    Henry Mancini

    Music From:
    Henry Mancini

    Director of Photography:
    Russell Metty

    Walter Murch (1998 re-edit)
    Aaron Stell
    Virgil W. Vogel (as Virgil Vogel)
    Edward Curtiss (uncredited)

    Costume Designer:
    Bill Thomas (gowns)

    Production Designer:
    Robert Clatworthy
    Alexander Golitzen

    Albert Zugsmith

    Eureka (Masters of Cinema)

    Your Opinions and Comments

    Be the first to post a comment!