9 / 10
score
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In amongst almost any genre will be a parody or spoof film, but the two unlikeliest types of films join together with mixed results. Both horror and comedy cause the body to have a reaction, whether it is recoiling from the screen or howling with laughter. The best ones cause a physiological reaction. It does not surprise when films like The Evil Dead, An American Werewolf in London and Shaun of the Dead work as both horrors and comedies. The latest in this line is Zombieland, another ‘Zom-Com’ in which the living dead have taken over the world – the USA at least – leaving only a handful of survivors.
 
We first meet a paranoid shut-in who, because he is afraid of just about anything, has managed to stay alive by religiously following his own rules which stress the importance of fitness so he can outrun the zombies, the ‘double tap’ where you don’t skimp on ammo and even if it looks dead, shoot it again to be sure and always making sure to check the back seat of a car. Desperate to reach Columbus, Ohio, he encounters his mirror opposite, a man who relishes violence, hates zombies with a passion and lives to find and eat a Twinkie! Names are not important and only serve to bring people closer so you are affected when the die so our hero is known as Columbus and his companion is Tallahassee.
 
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Whilst robbing a supermarket to find the elusive cream filled snacks, Columbus and Tallahassee run into sisters Wichita and Little Rock who pull a great con and nick their car. Fortunately someone has become zombie food and left behind a Hummer packed full of very big guns so the men aren’t without transport or weaponry for long.
 
It isn’t long before the expected happens and the two pairs are forced together, with trigger happy Tallahassee getting on surprisingly well with 12 year old Little Rock, leaving Columbus to stumble romantically around Wichita, who he hopes will be the girl whose hair he can comfortably brush  behind her ear.

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The girls want to travel west to Pacific Playland in California where they have heard there are no zombies and, as Wichita has inadvertently let slip that Columbus is a ghost town and Tallahassee doesn’t really have anywhere else to go, they decide to tag along. A stay in Beverly Hills changes things, following a chance encounter with a resident.
 
Made by filmmakers with little experience of feature films, though a great deal of TV work appears on their filmographies (with the exception of Rhett Reese, who wrote Cruel Intentions 3 and additional material for Monsters Inc., so not a great guideline of quality) but they have teamed up with ambition, a high concept project and know exactly who their target audience is. Zombieland is full of jumps, laughs and innovative moments and has characters who you like and care for. It also is very funny and has one of the all time great cameo appearances.
 
I loved it at the cinema and again at home so it does stand up to repeated viewings and, despite the jokes not catching you unawares and knowing who the cameo is by, it loses very little second, third and even fourth time around.             
 

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