8 / 10
score

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Olivier Marchal was a long-serving police officer in France, including a spell in their anti-terrorism unit, and some of the events depicted in his acclaimed crime thriller 36 Quai des Orfèvres are based on his own experiences.
 
Whilst the police are busy getting drunk at a party, a gang carries out another in a spate of audacious robberies, holding up a security van, killing two guards and making off with millions of Euros.  These men are organised, ruthless and well equipped, and their robberies have made them amongst France’s most wanted criminals.
 
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Following a briefing the next day, the chief of police tells Léo Vrinks, head of the OCU (anti-crime unit), that the Superintendent is going to retire so he’s going up a rung and wants Vrinks to become the new chief. The problem is that another detective, Denis Klein, head of the BRI (search and action squad), is equally qualified so the only way to choose between them is to give the job to whoever brings down the group of ruthless criminals.
 
Vrinks investigation is kick-started when Silien, a murder on temporary release from jail contacts him, saying he has information about the gang.  When Vrinks meets Silien, he is blackmailed into providing an alibi for a triple murder in exchange for gaining the identity of someone in the gang.  Now in a position to bring down the gang, the operation is blown when Klein gets drunk, blows their cover and gets Vrinks’ best friend killed in the process.  Using his contacts, Klein manages to ensure that no action is taken against him by internal affairs without a blot on his record.
 
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What follows is a battle between two headstrong and immensely skilled policemen who are prepared to bend and break the rules to get what they want. One is compromised and vulnerable and the other is unscrupulous and utterly ruthless.
 
The film is tautly plotted with many important incidents and myriad characters, none of whom are not important.  Events that seem to be inconsequential have long-lasting effects as neither police nor criminals have short memories.  36 hinges on a key event that I won’t divulge here that makes Klein and Vrinks mortal enemies whereas once they had been close friends.
 
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Marchal, is his casting of Daniel Auteuil and Gérard Depardieu, has brought together two of France’s leading actors to go head to head on screen, just as Michael Mann did in Heat with American heavyweights Al Pacino and Robert de Niro.  36 has been compared to Mann’s genre classic and rightly so – it’s a thoroughly gripping and extremely well made film with extraordinary performances by the two leads.
 
I had completely overlooked this, never considering it when it was on the movie channels so this opportunity to review the Blu-ray was an unexpected and welcome surprise.  I’ve learnt never to trust the hype and go into films eyes wide open but, in this case, the hype is justified.  Olivier Marchal mentions that the elite of French film critics (possibly the Cahiers du cinéma) didn’t like the film and I can understand why as it’s not your typical French arthouse film but a more American-style thriller of which Michael Mann would be proud.
 

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