Review for 2001 Nights (Fumihiko Sori's TO) (Review)

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Introduction
If Hayao Miyazaki can be called Japan's answer to Disney, then it seems appropriate to liken Fumihiko Sori to Pixar's John Lasseter. While Sori has had considerable success in the live action realm with films like Ping Pong and Ichi, among anime fandom, he's perhaps better known for his championing of 3D CG animation techniques, as opposed to the traditional 2D animation that Japan is so renowned for. What makes him stand out is that rather than go for the full 3D effect as in Pixar's movies, he tries to blend the 2D anime style with the versatility of 3D using cel-shading techniques. Sori served as producer on the first Appleseed film adapted from Masamune Shirow's work, and took over the directorial reins on the original sci-fi creation Vexille. Anime fans were licking their lips when it was announced that his follow up to Vexille would be TO, adapted from the 2001 Nights manga anthology.

2001 Nights is a collection of 19 unrelated stories by Yukinobu Hoshino that investigate the possibilities of human space exploration. This isn't the first adaptation to anime form, as in 1987, a 60-minute OVA called 2001 Ya Monogatari was produced based on one of the stories, although it has never been released in the West. Fumihiko Sori's TO adapts two other stories from 2001 Nights, Elliptical Orbit and Symbiotic Planet, and both are presented on this Blu-ray disc as one feature film (although you can watch them separately if you choose). It's followed the usual trail to get to the UK market, licensed and dubbed by Funimation Entertainment, then adapted for the Australian PAL market (in the case of the DVD) by Madman Entertainment, and then finally retailed in the UK by Manga Entertainment.

Elliptical Orbit (42 mins)

Dan is captain of the Midnight Bazooka, a vast space station orbiting Earth, whose prime duty is to launch transport pods to the moonbase. They also have to service passing ships, although the arrival of the Flying Dutchman raises a few eyebrows. Far from a legendary ghost ship, this Flying Dutchman is on an extended mission to Alpha Centauri, flying 15-year missions to bring back a cargo of liquid protons, fuel to keep an energy hungry Earth powered for years. Its captain Maria spends most of the mission in suspended animation, and ages less than two years out of every fifteen. Dan and Maria were close in a past life, but now Dan is an old man, and Maria is still a young woman. It makes for a fraught reunion, but that reunion is shattered when terrorists attack, aiming on using the liquid protons as a weapon to destroy the moonbase, killing countless innocents.

Symbiotic Planet (46 mins)

It's the 22nd Century, and mankind has finally discovered how to travel faster than light, opening up the galaxy to exploration and colonisation. It's about time too, as Earth's resources are pretty much used up, and it's time to give back to the mother planet. Alas, while technology has evolved, humanity hasn't, and while Earth may be licking its war torn wounds, the same rivalries and differences have travelled with humanity to the stars. On the fifth planet orbiting Beta Hydri, two rival colonies have been planted by the Eurasian nation and American Euro nation. Both compete to exploit and develop the planet, and a disagreement over water rights threatens to reopen the old conflict. While the war hawks on both sides continue to plan and plot, an American Euro bio-researcher named Ion has fallen in love with Alena, the daughter of the Eurasian leader. A Romeo and Juliet scenario may be averted by the arrival of a UN mediator, but events tumble out of control even so. As war looms, man's continued future on Beta Hydri may be determined by a bio-containment accident, and an act of sabotage.

Picture
The 1080p 1.85:1 widescreen transfer on this Blu-ray disc is hard to fault. It's clear and sharp throughout, brilliantly bringing across the spectacular and imaginative imagery created for TO. These are high quality world and technology designs that simply shine given the high definition treatment. However, there are issues with aliasing and shimmer around fine detail, as well as slight colour banding, all of which happen in isolated moments and scenes. This leads me to suspect that this is a problem with the source material, not the transfer to Blu-ray.

Also, while the visual imagination, the world designs, and the various bits of technology and detail all look stupendous, the same can't be said for the human characters, who look plastic and unreal, and unable to convey the emotional intent apparent in the voice actor performances. Actually, given the experience with the Appleseed movies and Vexille, it's as if 3D character animation has actually taken a giant leap backwards in terms of quality and accomplishment. It's almost back to the early days of Japanese CG animation, in movies like A.Li.Ce and specials like Yuki Terai. It's all a massive detriment to the story, and is a disappointment given how much anticipation I had for TO.

In what I think is a mistake, Funimation have repeated the same credit reel, that for Symbiotic Planet, ahead of both OVA episodes.

The images in this review are sourced from the PR material, and aren't necessarily representative of the final Blu-ray release disc.

Sound
Audio comes in Dolby TrueHD 5.1 flavours, both English and Japanese. There's solid use of the surround to bring across the action sequences, and the music used in both episodes is eclectic and impressive. The dialogue is clear in both versions, and there's nothing really to complain about in terms of the sound. The subtitles are a white font with thin black outlines, which on one or two occasions did get lost when there was a white background.

The English dub is of high quality in terms of character and performance, but the age-old problem that got me watching foreign cinema in the original language in the first place, finally crops up in animation. Most anime is a matter of fitting the dub to lip flaps, which aren't exactly animated with any degree of accuracy. With the motion capture techniques used to animate TO, the lip movements are more detailed and more closely match the Japanese dialogue. When it comes to the English dub, the number of syllables and the timing may be correct, but the mouth shapes don't always match the sounds.

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